Excerpt: The Supremes Sing the Happy Heartache Blues
CHAPTER 1
It was a love song. At least it started out that way. The lyrics told the tale of a romance between a man and the woman who made his life worth living. Being a blues song, it was also about how that woman repeatedly broke the man's heart and then repaid his forgiving ways by bringing a world of suffering down on him. The beautiful melody soared and plunged, each verse proclaiming rapturous happiness and gut-wrenching pain. Here, in a church, this piece of music couldn't have been further outside its natural habitat. But the tune's lovely mournfulness echoed from the back wall to the baptismal pool and from the marble floor to the vaulted ceiling and settled in as if the forlorn cry had always lived here.
As the song continued and grew sadder with every line, I thought of my parents, Dora and Wilbur Jackson. The blues was Mama and Daddy's music. Nearly every weekend of my childhood, they spent their evenings in our living room, listening to scratchy recordings of old-timey blues songs on the hi-fi. One of those might have been as sorrowful as the dirge ringing through the church, but I couldn't recall hearing anything that touched this song for sheer misery.
Mama preferred her blues on the cheerier and dirtier side — nasty tunes loaded with crude jokes about hot dogs, jelly rolls, and pink Cadillacs. The gloomy ballads, like this one, were Daddy's favorites. I never saw him happier than when he was huddled up with Mama on the sofa, humming along with an ode to agony. He would bob his head to the pulse of the music, like he was offering encouragement to a down-in-the-mouth singer who was sitting right next to him, croaking out his hard luck.
Sometimes, before sending me to bed, my parents would allow me to squeeze in between them. They've both been dead for years now, but their bad singing lingers in my memory. And, because I inherited their tuneless voices, I remind myself of my parents every time I rip into some unfortunate melody. Whenever I hear a melancholy blues, I feel the roughness of Daddy's fingertips, callused by years of carpentry work, sliding over my arm like he was playing a soulful riff on imaginary strings that ran from my elbow to my wrist.
I'd be ordered off to bed when Mama'd had enough of the dreariness and wanted to listen to a record about rocking and rolling and loving that was too grown-up for my young ears.
Even though the song rumbling through the sanctuary would have been a bit dark for Mama's taste, she'd have loved the singer's wailing voice and the roller-coaster ride of the melody. And she wouldn't have let this song go unnoted. If she had been in the church with me, she'd have turned to me and declared, "Odette, your daddy would've loved this song. Every single word of it makes you wanna die. I've gotta write this in my book."
My mother's "book" was a calendar from Stewart's Funeral Home that she kept in her pocketbook. The cover of the calendar showed a gray-and-white spotted colt and a small boy in blue overalls. They were in a meadow, both of them jumping off the ground in an expression of unrestrained bliss. Above the picture were the words "Jump for Joy," and below, "Happy thoughts to you and yours from Stewart's Funeral Home." Whenever Mama ran into something that she felt was remarkable enough to merit celebration, she wrote a note on that day's date so she'd never forget it.
Mama's book first appeared on a Sunday afternoon about ten years before she passed. We'd just walked out of our church, Holy Family Baptist, and Reverend Brown stood at the bottom of the front steps saying good-bye to his flock. Mama strode up to him and said, "Reverend, you're the best preacher five ever heard. I've been thinkin' about your Easter sermon all spring. It was truly a wonder; really opened my eyes. I want you to know that you can consider this here soul a hundred percent saved."
Reverend Brown, who was more than a foot taller than Mama, bent over and took her hand. "That's so kind of you, Dora," he said. "I'm just doing what I can for the Kingdom."
"I mean it," Mama said. "You've won this battle for the Lord. And I wanted to make sure to thank you, since I won't be comin' back." Reverend Brown hung on to Mama's hand and waited for her to deliver the punch line to what he assumed was one of the peculiar jokes she was known to tell. But Mama wasn't kidding. She explained, "Remember how you preached that if we really wanted to be closer to God, we should look at the world around us and write down a little thank-you to Him for all the things He gave us? Well, I took your words to heart and I've been doin' that ever since."
Mama opened her pocketbook then and pulled out a rolled-up wall calendar. She flipped three pages back to Easter and showed the pastor where she had written "Best Sermon Ever" in the little square for that date. Then she showed him how she had jotted brief notes on each day of the calendar since then.
"Reverend, you truly preached your ass off this mornin'. But, just like you said, it was nothin' compared to the way I feel when I'm sittin' alone, thankin' God directly. So I'm takin' your advice and skippin' the middleman." She waved her calendar in the air. "From now on, I'm goin' straight to the source."
She pulled a pen from her pocketbook and wrote an entry on that day's date in her book that read, "Second-best sermon ever." Then she patted Reverend Brown on his cheek and walked away from Holy Family Baptist forever.
Stewart's Funeral Home came out with a new calendar each year. Since Mr. Stewart was notoriously cheap, he reused the same cover. Mama had a fresh "Jump for Joy" book every January.
Her habit of hauling that calendar out, scribbling on it, and reciting her observations to anyone nearby was just one of many odd behaviors Mama was content to display in public. I was uncomfortable with the additional stares and whispers that followed her newest eccentricity, but Mama was immune to embarrassment. She told me, "Folks can laugh at me all they want. But when the blues comes lookin' for me, I'm gonna wave my little book at it and tell it to move along, 'cause I know how to jump for joy."
She wrote in her book until her last morning on this earth.
As the sanctuary reverberated with the howling third verse of the astonishing blues singer's lament, I imagined Mama beside me in the pew, writing, "Bluest blues in all creation." With Mama in mind, I leaned toward my husband, James, and shared my evaluation of the music filling Calvary Baptist Church: "This is the saddest song I have ever heard."
James said, "Your old man would've loved it."
The singer who sat hunched over his guitar in a dark corner, crooning and roaring about loving and forgiving his cruel woman, looked to be about seventy. He was tall and skinny, and he had a white beard that swallowed his face from nose to neck. James was right. Daddy would have loved the way the blues man bent the pitches of the tune in such a bleak way that you knew love had brought him trouble and that there would be more bad news coming in the days ahead.
"The blues is what a love song turns into after the singer's had his teeth kicked out," Daddy once said. What kind of beating had life given to this bearded man, who stared at the floor and filled the room with gorgeous sorrow? How did he end up here, curled around his guitar, letting loose a heartbreaking cry for all the world to hear? Every line of this song brought to mind Daddy's definition of the blues. There was no way this man had a single unbroken tooth left in his mouth.
Full of love, loss, passion, and bitterness, the song was made even more pitiful by the occasion. It accompanied a radiant bride as she made her stately procession down the center aisle toward her groom. She moved toward the altar with an ease and grace that were quite impressive, considering the character of the music and the fact that she had recently celebrated her eighty-second birthday.
The bride, Beatrice Jordan, was the mother of my best friend, Clarice. Miss Beatrice was a leading member of Calvary Baptist, the most no-nonsense church in Plainview, Indiana. She was a good Christian woman whose greatest source of pride came from being a better Christian than anybody else.
I loved Miss Beatrice, but she was so extravagantly and annoyingly devoted to the Lord and to making sure that everybody else was, too, that being around her for too long had a way of shattering my resolve to keep His Commandments. Over the years, she'd pushed me to take the Lord's name in vain more times that I'd like to recall. And Miss Beatrice had driven everyone I knew to think about murder at least once.
The groom was Mr. Forrest Payne, the owner of the Pink Slipper Gentlemen's Club, the only legally operating business in Plainview that had ever been called scandalous. The club had been known for on-site gambling, prostitution, and a flagrant disregard for all liquor laws. There was a time when reputations were ruined and marriages destroyed just because previously respectable men had been seen walking near the Pink Slipper's door.
The club's unsavory public image scared away many potential customers but served as effective advertising for just as many others. My aunt Marjorie swore that the Pink Slipper was the only place in town to hear the blues done right, as well as the only place to find corn liquor as potent as the killer brew she concocted at home. She was a Pink Slipper regular till the day she died.
And when I say "till the day she died," I mean it. Aunt Marjorie had a fatal heart attack while disarming a man who'd pulled a knife on her during a fight at the club. At her funeral, Forrest Payne comforted Mama by telling her that her sister had passed with her opponent's knife clutched in her fist and a satisfied grin on her face.
The brawls, overt prostitution, and gambling were now history, or so I'd been told. These days, the club was more likely to be spoken of as a respected music venue than as a low dive. Forrest had been rehabilitated, and his business had been purified along with him. The major reason for his rise from social pariah to elder statesman and philanthropist was, at that moment, serenely gliding his way, clutching a bouquet of pale peach roses and silvery-white chrysanthemums.
This love match had taken everyone by surprise. Over the years, Miss Beatrice had become famous around town as the nutty old woman who regularly stationed herself on a hillock at the edge of the Pink Slipper's parking lot and yelled warnings of eternal damnation at arriving and departing patrons through a bullhorn. She blamed Forrest for facilitating the repeated infidelities of her first husband, my friend Clarice's father. And it had become her life's mission to keep other men from following that same sinful path. In spite of her softened feelings toward Forrest Payne, even nowadays she showed up at the parking lot occasionally to shout at patrons on evenings when the dancers stripped. She'd left the bachelorette party Clarice had put together for her the night before her wedding to do just that. But since romance had warmed her heart, instead of yelling, "The fires of hell await you, sinner!" at departing customers the way she used to, Miss Beatrice now hollered, "God bless you, fornicator! Drive carefully!"
Several times during the ceremony, I glanced over my shoulder and searched for Mama. The idea that I might see her wasn't just wishful thinking on my part. In addition to a wide mouth, a round frame, and a tendency to talk too damn much, I have also inherited my mother's ability to see dead people. Mama was the first of the departed to seek out my company. She surprised me in the middle of the night several years after her passing, and she visits me regularly. Dead, Mama can be as much of a handful as she was when she was alive. But she's easier to take than a number of the spirits I've had to contend with.
Events that defy explanation draw my mother to them like magnets, so I found it hard to believe that she could stay away from the union of Beatrice Jordan and Forrest Payne. Mama's spirit was nowhere in sight, though. So I paid close attention and took note of every detail around me. It's not easy to astound a ghost, but the next time she stopped by, I intended to give Mama a description of the day's festivities that would knock her socks off.
Looking as perfectly put together as always, my friend Barbara Jean Carlson sat on my left side in the pew, adjusting her pearl necklace and smoothing nonexistent wrinkles from her skirt. Back in the 1960s, our schoolmates had started calling Barbara Jean, Clarice, and me "the Supremes" after the singing group. The more widely known Supremes had been separated by fame, acrimony, and death. But more than forty years after our trio was formed, the Plainview Supremes stood united.
Barbara Jean cozied up to her husband, Ray. But she and I had our eyes on Clarice, to the preacher's right, waiting for her mother to finish her journey down the aisle. That day, it was our job to remind Clarice, who was still in shock over her mother's change of heart regarding Forrest Payne, to smile. To that end, each time Clarice looked our way, we grinned and gestured toward our faces as if we were presenting brand-new refrigerators to contestants on a TV game show.
Poor Clarice. Whenever she forgot to smile, she took on the astonished expression that had first crossed her face a few months ago when she'd learned of her pious mother's romance with the owner of the Pink Slipper Gentlemen's Club.
Miss Beatrice had told her daughter that her love affair with Forrest began the night she was stranded at his club by a sudden snowstorm that blew in during one of her bullhorn protests. He had insisted that she wait out the storm in his office, and they'd chatted for hours over tea. After that, they'd become inseparable.
What Clarice said to me was, "Mother claims that saving Mr. Payne's soul is like climbing a spiritual Mount Everest. She can't resist the challenge." Miss Beatrice had also told Clarice that Forrest Payne had served her loose-leaf Earl Grey from a bone china tea service. Though her mother had gone to the Pink Slipper to do her version of God's work, it was the tea service that had won her over. Clarice had said, "I tell you, Odette, fine china is like opium to that woman. The moment that Wedgwood cup hit her lips, Mother was a goner."
We may never learn whether it was the Good Book or the china that brought Miss Beatrice and Forrest Payne together. But as his bride marched toward him, Mr. Payne looked as happy as a kid on Christmas morning. And Miss Beatrice seemed overjoyed to be marrying the man she'd spent decades denouncing as a servant of Satan.
The silver-embossed wedding program identified the saddest processional music ever heard as "The Happy Heartache Blues." When the song came to an end, the bearded blues man disconnected his guitar from the amplifier and limped away from the altar with an awkward gait that made me think he might be even older than I'd guessed.
Calvary Baptist wasn't the sort of church where people applauded music, religious or secular. Such a display would be considered tacky at best, damnable at worst. But when the singer finished, everyone on the groom's side of the sanctuary and plenty of folks on the bride's side clapped in ovation. The blues man shuffled off without acknowledging the applause.
The pastor then began a loud and harsh homily, full of accusations and dire predictions. This was in keeping with Calvary Baptist's reputation as the church most likely to tell its members that weekly attendance was the only thing keeping them from heading straight to hell. It was a sermon right up Miss Beatrice's alley. With every mention of damnation, she turned toward the wedding guests and nodded her head in agreement so we wouldn't get the impression that she was going to allow the joyfulness of the occasion to stand in the way of her efforts to save our unworthy souls.
Despite the gloomy music and the brimstone-heavy sermon, the wedding was lovely. Clarice and her mother had planned it to perfection. Miss Beatrice wore an exquisitely embroidered ivory-colored suit with an ankle-length skirt. The groom wore a gorgeously tailored black suit, which was a shock for everyone in attendance; few in Plainview could recall seeing Forrest Payne in anything other than his signature canary-yellow tuxedo. According to Clarice, there had been a compromise between her mother and her soon-to-be stepfather, granting Mr. Payne the right to choose the wedding march and Miss Beatrice the right to banish the yellow tuxedo for one afternoon.
Calvary Baptist Church is the prettiest house of worship in Plainview. It might not be what most people would call a friendly or inviting place, but the altar is made of ornately carved oak with, as its centerpiece, a magnificent pastor's chair that would have been right at home in a medieval castle. The towering stained-glass windows paint every surface in the sanctuary with color and make you feel as if you are at the center of a rainbow. At Calvary Baptist, you can't help but contemplate the Divine.
( Continues... )
Excerpted from The Supremes Sing the Happy Heartache Blues by Edward Kelsey Moore. Copyright © 2017 Edward Kelsey Moore. Excerpted by permission of Henry Holt and Company. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher. Excerpts are provided solely for the personal use of visitors to the EDC Creations and Black Pearls Magazine website.
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About the Author
Edward Kelsey Moore's essays and short fiction have appeared in the New York Times and in many literary magazines including Indiana Review, African American Review and Inkwell. His essay, Piaf and Roadkill, received an Illinois Arts Council Literary Award. For the past several years Edward Kelsey Moore has been commissioned by Minnesota Public Radio to write short essays for their Classical-MPR and YourClassical websites.
The Supremes At Earl's All-You-Can-Eat was Mr. Moore's debut novel. It won a New Author of the Year Award from the Go On Girl! national book club and a First Novelist Award from the Black Caucus of the American Library Association. The book also landed on the New York Times Best Seller List .
In addition to these honors The Supremes at Earl’s was selected by several midwest municipalities to spark dialogue among residents including Coming Together in Niles Township - Voices of Race in Cook County, Illinois, and Books to Bridge the Region, a literacy program of seven counties in northern Indiana. The Supremes at Earl’s All-You-Can-Eat continues to be a popular choice among book clubs and discussion groups across the country.
Mr. Moore’s newest novel, The Supremes Sing the Happy Heartache Blues, has just been published in the summer 2017. The book received *starred reviews from both Library Journal and Publisher’s Weekly, which caught the attention of international markets. A British edition of the novel has been published for readers in the U.K., South Africa, Australia and New Zealand. More editions are currently being prepared for France, Germany and Brazil.
Edward Kelsey Moore has been traveling the U.S. this summer celebrating the publication of The Supremes Sing the Happy Heartache Blues and meeting his many enthusiastic fans. He is looking forward to more touring and to making music again this autumn.
Visit at: www.EdwardKelseyMoore.com
Picture: Edward Kelsey Moore by Laura Hamm